When order becomes visible
Architecture is never only a collection of straight lines. A building changes with the time of day, the distance and the direction from which it is seen. Up close, material becomes important; from farther away, proportion, repetition and the relationship to the surroundings become more apparent. The photograph becomes most interesting where those readings meet.
I use lines and surfaces without removing every irregularity from the frame. Traces of use, reflections, plants or people reveal scale and time. They can interrupt a strict order and, by doing so, make it easier to understand.
An architectural series does not need to explain a building exhaustively. It can choose its emphasis: the rhythm of a façade, movement through an interior, changes between light and shadow, or the way a building meets the street. What matters is that the selection expresses a clear way of looking at the place.




